Family Projects

Dyeing and crafting with family.

Relatively recently, in May, my brother Peter and his partner Cathelijne came to visit me. We’d planned to do some yarn dyeing just for them to see what it was about. We chose two skeins for each after deciding what I would make from the finished yarn and set to work.

My brother wanted to use the Natural Boo DK yarn, a merino and bamboo mix for a hat/scarf. His plan was to do blue with yellow resists. Surprisingly similar to my starry night sweater – I did not influence this! His yarns were left dry and he added tie wrap resists. A fair few, just to see what would happen. We dunked his yarn into a mixture of blue and navy dyes and pulled it out once that was all set. When we removed the resists, it turned out that if you put two relatively close together, you just get a larger resist. He then added yellow over the top with a syringe. It turned out pretty cool!

Cathelijne wanted to have a triangular scarf like my fringed one. I told her that would be cool, but I wasn’t going to knot all those fringes again, we’d figure out something else. So she settled on Quarter round yarn (fingering weight 100% merino) and would be doing one part grey with yellow and blue speckles in the white parts. This yarn was pre-soaked and once wet enough, we added a little bit of grey to the pot and created a nice construction to keep enough of the yarn white. Once the grey had set, we pulled it out, and she hand-speckled citric acid mixed with dye over the top of it. Most of the speckles are blue and yellow, but sometimes two landed close together and there’s a tiny green area.

All projects were knit on the knitting machine. For Peter’s snood, I cast on a fair amount of stitches on every alternate needle. I made a two eyelets a few rows in and then hung the hem. I continued until almost all the yarn was finished. The bottom hem was then sewn so it looked like the hung hem at the top. I also wanted to make a cord, and I figured, there must be a way that this machine can do i-cord. So I fumbled with the settings and zipped my way through probably several hundred rows to make a nice i-cord to thread through the upper hem.

The bamboo earflap hat was based on a pattern from Clearwater Knits, Earflap Hat by Irene Woods. Since I used a different gauge and a different head size, I recalculated everything. It was started on the knitting machine with e-wrap cast on on 134 stitches, then 18 rows of plain knit, then the flaps were created over 32 stitches from stitch 13 inwards. It was basically like a big sock heel. Then 18 more rows and the hem was hung. Then I knit until I almost ran out of yarn, pulled it off the machine and knit up the top by decreasing in 12 sections. I left two stitches out for seaming up the back. Lastly, I put some fleece into the flaps for added warmth and added braids to the bottom of the flaps.

For the triangular scarf, I used exactly the same pattern as for the fringed scarf, but I left off the fringe. When I got to place where you need to start decreasing again, I did a row of decorative eyelets to mimic the ones that would be along the spine too. I then finished the scarf the same way as my fringed one and put it out to block. Once it was fully blocked, there was still some yarn leftover to make some cute little tassels. There’s one on each long end and two on the point.

All in all, I think this was fun to do with family!

Orange Zig Zag

Slowly working on an orange travel project.

I always have a portable project to bring with me on my travels. From October 22, 2022 until July 4, 2023 it was this orange one-skein scarf. I used Anivia by Claire Slade, as my pattern. In order to qualify as a nice travel project, I want a simple repeat that I don’t have to think about too long. The zig zags also really tickle my fancy because I think they are so nicely simplistic but not too monotone to knit.

The yarn, Alpaca 4ply sock from Chester Wool, was dyed on September 4, 2022 with a combination of mostly orange with a little brown. I’m in love with the colour of it. A somewhat mottled brownish-orange with tiny darker orange and brown speckles. It doesn’t photograph very clearly but I think the colour is most true in the picture with the ball and the triangle section below.

The knitting went quite smoothly. The pattern is quite memorable, when the zig goes left, it’s yarn over, ssk, k2 and repeat. For the right zag, it’s k2tog, yarn over, k2 and repeat. To get the zig zag to work, you do a knit stitch more or less at the start of the row. Furthermore, one stitch is increased at the end, and it’s k3, purl to almost end, k3 on every wrong side row. Now, I don’t really like ssk normally, because it gets you out of your rhythm with having to move stitches from one needle to the other. So I did some googling and found a new one step ssk online. I’ve used it from about halfway through and it’s so much faster than a regular ssk.

I’ve not worn this new additional all that often because it’s still been summer-ish since July (wet, but not too cold). However, I hope it’ll be nice!

Green & Blue

Almost stripy scarf in blues, with little eyelets along the way.

Another knitting machine experiment. I wanted to see if I could make a triangular scarf that wouldn’t grow as fast as most of the ones I’ve tried before. As such, there wasn’t a published pattern involved with this, just one I made up as I went along. The yarn was Alpaca 4ply sock, dyed with one side dark blue and the rest turquoise on 28 March. The scarf itself was started on May 2nd.

The experiment was quite nice, and you can really see the effect blocking has on pointy things. The scarf has a much better point after blocking even though the edges continue to curl a little. I’m not sure I mind though. I really like the striped effect that this dye job created.

This is the pattern:

  • CoR e-wrap cast on 6 stitches from 70L to 65L.
  • Knit 3 rows (CoL).
  • *Transfer the second and third stitch on the left, one needle to the left. Transfer the last two stitches one needle to the right (this creates two eyelets and one increase). Knit 4 rows.*
  • Repeat ** until there would be 11 stitches between the eyelets on the increase row. In that row transfer the middle stitch one needle to the left to create a decorative eyelet. Knit 4 rows. (Decorative Eyelet Section (DES))
  • Repeat ** 3x (15 rows from last middle eyelet); and repeat DES (the decorative eyelet will be two needles to the right.) Once there are enough stitches between the side eyelets, make decorative eyelets by transferring the 10th stitch from the center eyelet to the needle on the left.
  • Repeat until half of the yarn is knit.
  • Create the second half by e-warp casting on 6 stitches on the right and reversing all shaping.
  • Use a three needle bind of or some other method of attaching the two sides together.

Fringe!

Things I’ve learnt in this project: fringe knotting is not my thing.

According to Ravelry, I started this scarf on February 25 and finished blocking it on February 28. I may have been slightly neglecting writing about it for no good reason. This was a knitting machine project, hence the quick turnaround. I’d dyed two skeins of quarter round fingering weight yarn with browns, reds and oranges on February 9. Then followed the instructions in the Shawl for all reasons by Carole Thimidis pattern. I decided to do the fringe because I wanted to see how something like that would work.

Well, the knitting of this thing took a few hours. Unraveling and then knotting all the fringe took longer than actually knitting it. You basically knit three stitches, then skip a bunch of needles and then increase stitches to make a a quarter of the body of the scarf. Then those stitches are decreased again (while continuing with the fringe stitches). Half of the scarf is now done, so the stitches are increased again, which leaves little holes along the spine. Those stitches are decreased to finish the scarf. Wrapping my head around how this worked took longer than actually making the scarf. I’ve now figured out the logic but it took me so long. When the scarf is done, you start unraveling those fringe stitches row by row. Once you have one loop loose, you make a knot near the scarf body to prevent further raveling.

Once I had all the fringe knotted, the scarf was wetted and blocked to a nice right sided triangle. It came of the machine in a very different shape. It always amazes me how well blocking works, now that I’ve figured out that’s a thing. The most interesting thing about this scarf is that the colours look very different from different sides. You’ll see that in the blocking image too. While there is about 1.5 skein of yarn in there, and there are some minor colour differences between those yarns, it’s not like one is significantly lighter. It’s just the angle that changes the way it looks. Since it’s been finished, I have worn this thing a fair amount. It’s pretty big even if it’s not very warm but still cosy!

Rainbow Bright Side

Nice pops of colour and texture on otherwise plain grey.

I saw the The Bright Side scarf by Lori B at some point last year when I was looking for scarf patterns on Ravelry. I was immediately intrigued. It looked like such a fun idea to have different coloured bits of texture in a scarf. This was one of the projects that I really wanted to make and finish. So on November 1st, 2022, I died some Chester Wool Company Alpaca 4ply Sock yarn in a nice light gray while leaving some yarn out of the dye pot. A short rainbow gradient was then applied to the undyed section and further steamed to set. It hang out in my house for about two and half more months before I finally picked it up and started my Rainbow Bright Side.

This was my travel project from January 14 until February 19. It was in a plastic bag in my rucksack and traveled with me on daytrips and to the office. I would sometimes do some knitting on it at home too. The pattern is very simple, there are some edge stitches on both sides, but in the middle just knit (and purl on the reverse), if you come across some rainbow stitches, purl them on the knit side and knit them on the purl side. You’ll end up with a giant crescent shape at the end. As the rainbow was dyed on the skein on one side, there’s approximately the same amount of stitches between each section of rainbow. As the width of the scarf changes all the time, this means that some interesting pooling can occur if the circumstances are just right. It’s very fascinating to see how these develop while knitting.

As you end on the widest part of the crescent, I had a hard time estimating how much yarn I still needed to finish. In the end, I won yarn chicken by about 4 cm and felt very lucky about that. I really didn’t want to take that many stitches out again. After winning chicken, the scarf was wetted and the blocked. I tried to pull it into an aesthetically pleasing shape on my pool mats. I think it worked. The point of the triangle is not in the middle of the scarf, which means I can wrap the short side around my neck once, but the long side twice. It also goes with a lot of different things because the colours are both neutral and bright – at least in my opinion. It’s already seen some wear, and I’m sure it’ll come out more often!

Yellow – Turquoise – Orange

Made some baby gifts from self-dyed yarn and other happy fabric.

Baby gift time again! First up, dyeing. On the last day of 2022, the second dye project was a single skein of Chester Wool DK 115 (Worsted) 50s. It is 100% merino and has 50 grams in a skein for around 100 meters of yarn. Since I still had soft yellow dye stock left from the other dyeing I did that day, I put 20 ml of the stock in my pot. Then I added several resists around the skein and dropped the thing into the pot. When it had simmered for long enough, I took it out and dyed the resists turquoise. I couldn’t resist adding some speckles and chose orange. All in all this meant that the skein turned out extremely bright and cheerful. If you ask me, perfect for a baby.

Since there was going to be a new baby, I set out to make some baby things and settled on these two patterns: Easy Peasy Baby Ball by A la Sascha and Tiny Tot by Kristen Rettig. One is a rectangle hat with tassels or pompoms and the other is a ball. I used up the entire skein in the making of these projects, so no leftovers!

I’ve also had a bit of flannel in the stash with a similar colour scheme. There’s also some additional red and green, but I wouldn’t let that stop me. The flannel was bought to make some poppies, so I set out to do exactly that. I tried to make these somewhat symmetrical with the plaid, so the scale was based on that. There’s some difference between these two poppies, one has a green stripe near the head, the other green. One has larger hands, the other smaller, but they are still very similar.

Both knitting patterns were quick, easy to knit and went smoothly. Of course the hat is way too big for the recipient, but I guess my track record stays intact on that score. The last item for the little baby was a spit scarf. Now with skateboarders, rope jumpers and a terry cloth back. It feels very soft even if the snap is on the wrong edge.

I hope the little one will have a marvelous and colourful life!

Rainbow Tie Scarf

An afternoon of quick knitting a rolling corkscrew tie scarf.

I’ve by now amassed a decent amount of dyed yarn in my yarn table, so I figured I should use some to actually make things. So off to Ravelry I went. I recently discovered that Ravelry also has knitting machine patterns so I looked through that category for inspiration. I found this Ringel-Enden- / Korkenzieher-Stola by Gabi gruen. It’s a really easy rectangle knit (no thinking whatsoever) that automatically corkscrews at the ends because of the nature of stockinette knitting.

So I found the rainbow and white speckle yarn and cast on 81 stitches onto waste yarn. When I had knit around 8 rows of waste yarn, I continued with the rainbow yarn. I made sure to leave about 2 meters or so. Then the machine and I just whizzed back and forth until there was again 2 meters of yarn left. I transferred the stitches from the knitting machine onto knitting needles and cast off both ends so they are symmetrical.

The scarf started to do the natural corkscrews as predicted by the pattern, but less pronounced because it’s not as wide as the original. Since I only had one skein, I cast on fewer stitches and it turned out a little shorter. I didn’t think it can comfortably wrap around my neck twice, so I found a different solution. I used some of the leftover yarn from the stripy scarf to quickly knit a tie. A white snap was applied, and I had a cute little closure. I was pleasantly surprised by how this yarn knit up. I wasn’t sure if it would be a hideous mess of too much colour, but the little stripes are less busy then I expected.

Karen Scarf & Dyeing Yarn

Dyeing some yarn and knitting a zebra scarf

A while ago, I’d invited my former colleague Karen out to do some yarn dyeing. We picked out some yarn (a DK zebra yarn and two merino sock weight yarns) and set those soaking. Then we needed to decide on some colours. We’d early on decided that it was mostly about playing, we wouldn’t be able to fully predict the outcome so it was mostly about seeing what would happen. The plan for Karen’s sock yarn was to make it half blue and half terracotta coloured, possibly with some speckles over the top. The terracotta was made by combining orange and brown dye and letting about half the yarn sit in that while the other half was coiled on some metal objects in the pan. It worked remarkably well and I was in love with the colour. We then put blue dye in the pot and put the other half in the dye. I look forward to seeing what it will end up being!

For the zebra, we used some blue dye stock and then added magenta and violet speckles over the top. The yarn already has partial strands of black in it, hence the name ‘zebra yarn’. We weren’t sure at all how this would turn out, but it was really quite nice. I decided to ball it up and start knitting a thin scarf. I first tried December is for Stephanie by Lorena Haldeman, but then switched to a modified January is for Karen by Lorena Haldeman. The name was pure coincidence but I did appreciate it a lot. In contrast to the original pattern, I only did one repeat of the center pattern and tried to make it more symmetrical. This meant I had a total of 23 stitches, including 2×3 edge stitches. My modifications are available here.

The last sock weight yarn ended up a mid muddy. I used a roasting bag and just added colours in. I think it included yellow, red, orange, but also some gray. The plan at the moment is to try and knit some up to see if it looks nice. If it doesn’t, I’ll overdye it with something else. No use in having yarn that won’t be used.

The day itself was lovely and I really enjoyed just trying some things to see what would turn out. It’s great to be able to play with some colours and having lovely chats with a friend.

Impromptu Dyeing

First batch of ecoprinted scarves this year, fresh leaves – fresh results.

I had a week of holiday recently and one day decided to go out for a short walk. Maybe to drop of plastic trash, maybe to post a letter, I can’t really remember. While out, I noticed all the green around, leaves are really returning to the trees and plants. So while walking along, I picked some leaves here and there. I came home with a hand full of greenery and a desire to do some ecoprinting. So I got all of my stuff from the dyeing cupboard, mixed up some additional iron water and got to work. The layout is fairly random with one scarf being less densely printed than the other. All leaves were placed with the top side up, which obviously gives a different effect on the mirrored bottom-up side.

Ecoprinting is still super interesting to me. I should probably take more extensive notes on what I’m doing because I can’t really predict what the outcome will be, but that has its charms too. You can see that most of the well printing leaves on the right scarf are at the top and then one in the middle. The left one is more uniform in what printed dark and what printed light. I like these results. Unfortunately, the source of my previous batches of silk no longer lists it on its website, so I’m going to have a more expensive time getting hold of something to print new projects on. Que sera sera.

Silk-dyeing Again

Getting some more scarves finished, I now have fifteen of the things.

I really, really enjoy eco printing silk scarves. Not sure why it’s so nice, I normally don’t gravitate towards projects with an element of surprise and these have been full of surprises. I never know how it’s going to turn out. So far I’ve dyed up around 8 meters of silk. I found a webshop that sold 3 meter lengths of ‘silk crepe for dyeing’ and I got 6 meters of it. I then cut that into 1.8 meter lengths and 35 cm widths to get 12 scarves out of 6 meters. Had some leftovers for some more experimentation and decided that I didn’t yet have enough of the silk dying experience, so I ordered 6 more meters and have since made four more scarves.

The first batch you’ve already seen, but I’ve now actually hemmed them with a ‘rolled hem’ on the serger. From that batch, I learned that the bramble and what I think is a maple worked really well. The second batch had less stellar results. Most came out so light that you could barely see them, this included some weeds from outside my house (my plant determination app thinks its Vinca major?), leaves from the tree outside my house – invisible and therefore destined to be overdyed, one unknown tree and something that I just completely forgot.

The third batch, however, had some really good ones. chestnut leaves from the tree at work, hazelnut leaves from my hometown, something from the road to work with thorns and a collage of fruit plants from my roof terrace. The only one that was slightly disappointing was the fruit collage as only the strawberry gave a very clear print and the rest was quite blobby.

Then there was some more experimenting but that didn’t turn out so well, so I only finished the one where I put flowers on (Common ragworth). This resulted in a bit of a polka dot effect, but much darker than I expected. Not sure it’s as lovely as I’d imagined, but at least I now know what it would do if you put this type of flower in an iron bath.

So at some point last week, I decided that it would be a lovely idea to actually know which plants all my scarves came from. So I set out to collect leaves from all the places that I’d harvested them from initially to determine the species and dry them. This also meant that I couldn’t help myself and I got more leaves. I opted for a few that worked the best (more chestnut!) and some that I found along the way.

I collected some chestnut leaves because they make the best print. Then while cycling around, I found some really cool looking leaves with five leaflets that turned out to be Virginia creeper close to the original Ginkgo. While passing another big tree next to my former home, the leaves from a Red maple were collected. The Black poplar was the last I took with me. This one has an alternating pattern of back/front of the leaves and you can sort of see that. This one is also a prime example of how folds leave blank spaces in the print.

Conclusion is that I’ve really enjoyed this dying process and with winter starting, I don’t have many more opportunities. The only problem with this hobby is that it produces way more items than I actually personally need. There’s only so much gifting I can do to get rid of them. Sometimes I wish that my hobbies didn’t amount to so much stuff… Ah well, at least these take up way less space than plushies.